Author: Fashion Editor
Categories
Pregnant on the Front Lines
CNN’s Clarissa Ward covered war, famine, and genocide in far-flung locales. Preparing for a new baby: terrifying.
DIRE DRESS CODES: Like many nonprofits, Fashion Girls for Humanity has redirected its focus to the global pandemic to help develop PPE — or personal protective equipment — goods.
The group has teamed with Fashion for the Front Lines to create two information hubs to highlight available resources, including downloadable patterns to make face masks and medical gowns. There is a list of hospitals and health-care facilities that are in need of donations or purchases of PPE. There is also information about companies producing PPE goods.
Fashion Girls for Humanity was started nine years ago by Julie Gilhart, Kikka Hanazawa, Miki Higasa and Tomoko Ogura. As part of the COVID-19 response, the group is helping Care + Wear, a leading resource for health-wear, by starting a campaign to raise funds for its Gowns for Good Made in America.
The group aims to raise $250,000 through its GoFundMe page. The initial plan is to produce about 5,000 gowns each week to start through a group of New York-based factories and then 10,000 each week once things get rolling. Each $25 donation allows for a gown to be donated to a frontline medical worker. As part of the Fashion Girls for Humanity effort, the gowns
The group has teamed with Fashion for the Front Lines to create two information hubs to highlight available resources, including downloadable patterns to make face masks and medical gowns. There is a list of hospitals and health-care facilities that are in need of donations or purchases of PPE. There is also information about companies producing PPE goods.
Fashion Girls for Humanity was started nine years ago by Julie Gilhart, Kikka Hanazawa, Miki Higasa and Tomoko Ogura. As part of the COVID-19 response, the group is helping Care + Wear, a leading resource for health-wear, by starting a campaign to raise funds for its Gowns for Good Made in America.
The group aims to raise $250,000 through its GoFundMe page. The initial plan is to produce about 5,000 gowns each week to start through a group of New York-based factories and then 10,000 each week once things get rolling. Each $25 donation allows for a gown to be donated to a frontline medical worker. As part of the Fashion Girls for Humanity effort, the gowns
Follow WWD on Twitter or become a fan on Facebook.
ALL SEWN UP: Art projects, baking, Marie Kondo-worthy cleaning — many started their days of self-isolation with lists of must-do activities that quickly dissolved into hours of Netflix and Instagram. But that was not the case with photographer Chris Makos. He recently reached into his memory banks and returned to sewing photographs, while squirreled away in his country studio.
Growing up watching his mother sew on her Italian Necchi sewing machine, Makos said he was always fascinated by how you could take two things and with just a bit of sewing make something new. After practicing the technique with paper as a boy, Makos started sewing together photographs in 1976.
A former studio assistant to Andy Warhol, Makos shared the technique with the Pop artist. Warhol bought a Bernina sewing machine to keep at it with the help of Makos’ friend Michele Loud, who sewed together most of the photographs. Warhol continued to make sewn photographs until his death in 1987.
Makos explained why he first shared the idea with Warhol: “He needed something new to do with his photos. I thought it would be a perfect fit, because Andy was all about multiples.”
Makos has stitched together various personalities including Man Ray, David
Growing up watching his mother sew on her Italian Necchi sewing machine, Makos said he was always fascinated by how you could take two things and with just a bit of sewing make something new. After practicing the technique with paper as a boy, Makos started sewing together photographs in 1976.
A former studio assistant to Andy Warhol, Makos shared the technique with the Pop artist. Warhol bought a Bernina sewing machine to keep at it with the help of Makos’ friend Michele Loud, who sewed together most of the photographs. Warhol continued to make sewn photographs until his death in 1987.
Makos explained why he first shared the idea with Warhol: “He needed something new to do with his photos. I thought it would be a perfect fit, because Andy was all about multiples.”
Makos has stitched together various personalities including Man Ray, David
Follow WWD on Twitter or become a fan on Facebook.
With the coronavirus grounding red carpets and premieres, top stylists to Taylor Swift, Kristen Stewart, Brie Larson, Katy Perry and many more are offering tips and career advice online as part of the Glamhive Virtual Style Summit on May 9.
The all-day, ticketed event will feature 10 panels with 50-plus speakers, including Johnny Wujek (Katy Perry) and Jessica Paster (Emily Blunt) in discussion with designers Cynthia Rowley and Christian Cowan about how to make your styling approach stand out; tips for styling men from Ilaria Urbinati (Donald Glover) and Jeanne Yang (Jason Momoa); a masterclass in set etiquette, how to work with demanding clients, build your portfolio and more from Jen Rade (Angelina Jolie); tips on bridal and special events dressing from Micaela Erlanger (Lupita Nyong’o); how to style masks on the red carpet with Joseph Cassell (Taylor Swift), and more.
Galvan, Messika, Kendra Scott, Sachin & Babi, Jenny Packham, Bibhu Mohapatra and Rebecca Minkoff are among the brands expected to participate.
Designed to be both industry- and consumer-facing, the online summit is being put together by stylist Tara Swennen, who has worked with Stewart, Allison Janney and Matthew McConaughey. “I was watching my stylist friends at a standstill and my showroom friends
The all-day, ticketed event will feature 10 panels with 50-plus speakers, including Johnny Wujek (Katy Perry) and Jessica Paster (Emily Blunt) in discussion with designers Cynthia Rowley and Christian Cowan about how to make your styling approach stand out; tips for styling men from Ilaria Urbinati (Donald Glover) and Jeanne Yang (Jason Momoa); a masterclass in set etiquette, how to work with demanding clients, build your portfolio and more from Jen Rade (Angelina Jolie); tips on bridal and special events dressing from Micaela Erlanger (Lupita Nyong’o); how to style masks on the red carpet with Joseph Cassell (Taylor Swift), and more.
Galvan, Messika, Kendra Scott, Sachin & Babi, Jenny Packham, Bibhu Mohapatra and Rebecca Minkoff are among the brands expected to participate.
Designed to be both industry- and consumer-facing, the online summit is being put together by stylist Tara Swennen, who has worked with Stewart, Allison Janney and Matthew McConaughey. “I was watching my stylist friends at a standstill and my showroom friends
Follow WWD on Twitter or become a fan on Facebook.
Before the coronavirus clamped down in America, New Yorker Patsy Tarr donated her prized collection of Geoffrey Beene to the Phoenix Art Museum. Speaking from quarantine in Miami, Tarr, who’s traded her signature designer duds for ath-leisure these days, said a roof leak at her East Hampton home, where she meticulously stored more than 350 garments in her attic for decades, cinched the decision. Her connection to the southwestern museum dates to 2009, when it exhibited nearly 40 of her most whimsical custom pieces, particularly jumpsuits and boleros, in “Geoffrey Beene: Trapeze.”
“Dennita Sewell, the curator, did such a nice job that I felt I owed her,” Tarr said.
Her level of devotion to a single designer is a rarity in fashion’s current fast-paced cycle. Tarr said it was even atypical in her circles back then. Their relationship began in 1979 when, in her words, “she threw herself upon him,” to concoct a no-nonsense wardrobe that could take her from motherhood duties by day to glamorous philanthropist by night without fully changing. He identified her circumstances as ideal for jumpsuits, which she wore for 20-odd years in every fabric and style, from wool with long sleeves to seersucker halters. Sans collars, these
“Dennita Sewell, the curator, did such a nice job that I felt I owed her,” Tarr said.
Her level of devotion to a single designer is a rarity in fashion’s current fast-paced cycle. Tarr said it was even atypical in her circles back then. Their relationship began in 1979 when, in her words, “she threw herself upon him,” to concoct a no-nonsense wardrobe that could take her from motherhood duties by day to glamorous philanthropist by night without fully changing. He identified her circumstances as ideal for jumpsuits, which she wore for 20-odd years in every fabric and style, from wool with long sleeves to seersucker halters. Sans collars, these
Follow WWD on Twitter or become a fan on Facebook.
SEEING GREEN: Costa Brazil, the environmentally centered beauty brand launched by Francisco Costa, has passed the one-year mark and remains committed to its mission of helping people reconnect with the world in a sustainable way.
Costa recently helped another kind of mission as well by being the first interviewed guest on the April 17 launch of Mission Magazine’s #MissionTV on its Instagram.
As part of Costa Brazil’s efforts to protect the rainforests, the company started the Creative Coalition with Conservation International. Beyond saving trees, safeguarding acreage helps the well-being of tribespeople in the Amazon, whose health is at risk due to disease and foreign agents.
The new Creative Coalition project consists of a series of gelatin silver prints depicting palm trees photographed by Bruno V. Roels. As a result of Roel’s efforts, 80 acres of tropical rainforest, or about 20,000 trees, have been saved. The gelatin silver prints are made on fiber-based paper that has been coated with a light-sensitive emulsion.
Roels said he is working on a book that will be published by Art Paper Editions about his collection of palm-tree-related vintage postcards and photographs made in the European colonies between 1875 and 1935. “These cards and photographs were made by Europeans for Europeans
Costa recently helped another kind of mission as well by being the first interviewed guest on the April 17 launch of Mission Magazine’s #MissionTV on its Instagram.
As part of Costa Brazil’s efforts to protect the rainforests, the company started the Creative Coalition with Conservation International. Beyond saving trees, safeguarding acreage helps the well-being of tribespeople in the Amazon, whose health is at risk due to disease and foreign agents.
The new Creative Coalition project consists of a series of gelatin silver prints depicting palm trees photographed by Bruno V. Roels. As a result of Roel’s efforts, 80 acres of tropical rainforest, or about 20,000 trees, have been saved. The gelatin silver prints are made on fiber-based paper that has been coated with a light-sensitive emulsion.
Roels said he is working on a book that will be published by Art Paper Editions about his collection of palm-tree-related vintage postcards and photographs made in the European colonies between 1875 and 1935. “These cards and photographs were made by Europeans for Europeans
Follow WWD on Twitter or become a fan on Facebook.
(TrendHunter.com) Luxury fashion house Dior continues to add to its ongoing luxury technical fashion designs for the season with the launch of the 25mm Buckle Belt silhouette. It is special due to the brand’s…